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Jay Marsh

January 2007 Interview in Dream Weaver Magazine

Jay's "Lotus" is on the January cover of DreamWeaver Magazine

 

DW: What is your professional or artistic background or training?

JM: In 1991 I graduated with an Associate Degree in Illustration and Photography from Ringling School of Art and Design in Sarasota, Florida. Out of school I went exploring with my new creative abilities, I worked with any material and in any subject matter that my muse led me to. In 2001 I took a "Visionary Art" Workshop by Alex and Allison Grey at the Omega Institute in Rhinebeck New York. Watching them as a couple was a true inspiration. He has and continues to have an incredible life- connecting people with spirit.

DW: When did you know that you would be an artist?

JM: I discovered my calling in kindergarten and made it a career. Visual expression of one form or another has been my singular profession for 15 years.

DW: Can you remember being a child and using art as a form or expression?

JM: I remember the ease and flow of transmission from thought to form. I developed an under-active thyroid when I was young and with less physical and social activity, I made strong connections to silence and the creative spirit.”

DW: What artistic medium do you work with and is this the only one that you work in?

JM: I mostly work in Acrylics. The image begins with a rough value sketch to capture the moment. A line drawing is then printed on transparency film and projected on to the primed canvas, then I sculpt the lines with gel medium. The red underpainting goes on to give a map for values. I have to work quick but I use that by layering glaze upon glaze keeping my shadows transparent and my high lights opaque. I love creating an inner-light where parts of the form are burned away from the brightness.

I have to make sure that people know my work is acrylic- some have thought it iss computer generated. I also work in oil based clay for casting resin in silicone, body painting, and invisible UV paint.

DW: From a spiritual stand, how does your art enhance your life and sense of spiritual purpose?

JM: When I’m working I’m in the flow, the intention with my work is to express passion through the flowing forces of nature, to give energy and keep it moving- it’s Feng Shui - which the opposite, I’ve heard is called Dung Schway or Funky Schwag.

DW: What artistic influences do you find inspirational from the spiritual sense?

JM: A few of the artists/lives that have inspired me are Alex Grey, Roger Dean, Alphonse Mucha, Brom, and Georgia O’keefe. Main spiritual influences have been my brother Alan, Eckhart Tolle, Wayne Dyer and the band Tool. Fueling the imagery in my work is the chaos of nature, powerful, beautiful and a never ending source of inspiration.

DW: Do you look at the colors and shapes in your work after a piece is completed and realize that there is hidden or subconscious symbols in it?

JM: My images may originate in the natural world, but I enfold the real with the fanciful. I’m inviting the viewer into a scene with familiar elements, but altered reality. I carefully plan my pieces so most of the discovery is within the first few minutes after the “cosmic download”. Once the work evolves I follow my carefully laid out drawing like a road map and let details and color come out along the journey. I am invited to explore a landscape of absolute freedom and endless possibilities.

DW: Would you say your best works (which have made you the most happy as a person) were inspired or planned?

JM: My best works were planned from an inspiration. Some of these images come into view of my inner eye and politely haunt me until they are created in form. I believe it was my living in the mountains of North Georgia that helped make these works successful.

However the body painting I do is very spontaneous and can have wonderful expression. It reminds me of Carlos Santana describing the angels inspiring him during a guitar solo.

DW: So many people of “starving artists” and might be fearful of following their passion to be an artist (in any form – writer, poet, singer, songwriter, etc.). Any advice you can share on following your heart and inner desire?

JM: That’s a good question. After all I wish to return my gift to complete the circle. I would say pick a creative medium that feels good and wait for the moment of inspiration. For me this is any moment with high levels of emotion- positive or negative. Get a tasty beverage, some incense, comfy clothes, music (please or energize as many senses as you can) .Then do your thing- that thing you do, and do it in private- free of judgment and filters. I’ve seen young kids without technical knowledge and skill do great work because the emotion and wonder was high - this makes successful work to me.

DW: If you could give the world a message – not in art form, but with words – what would it be?

JM: I didn’t have to think of this one for it comes from a place without thought: Be Here Now. Be in the present moment a place of hyper reality. A great state for creating.

DW: Please list where your art has been featured – decks, book covers, etc.

JM: Some of my most memorable projects: fantasy paintings for a Clive Barker card game; body painting for Bacardi to launch “Grand Melon,” their newest flavor; candy portraits for Fernbank Museums’ recent “Chocolate: The Exhibition”; a 16 x 4 ft. ultraviolet/daylight mural for Royal Caribbeans’ new "Serenade of the Seas" cruise ship; illustrations and new character development for Mellow Mushroom packaging and advertising; photo retouch – by hand – for Coca Cola’s NFL Stars “Monsters of the Gridiron”; bodysuit design and painting for WCW Wrestling (with AFX Studio). I’ve also helped HomeBanc Mortgage document many activities, including their Habitat for Humanity charity work; and has done advertising photography for NAPA Auto Parts. He finds time to donate his talent and creativity to organizations and events such as The American Diabetes Association “Tour De Cure”; the “Through the Looking Glass Gala” benefiting the Eating Disorders Information Network (EDIN); an 8 ft. UV Mandala mural (with his brother Alan) for Camp Stars and Hospice Atlanta.

DW: Up-coming projects we can look forward to?

JM: I’m working on more paintings based on yoga poses and inspired by my girlfriend and muse, Shannon. I’ll continue to give my imagination play and encourage others to flights of fancy, often connecting my other interests with artistic expression. I juggle and ride unicycles, and hope to combine painting and riding – using the wheel as a brush.

For more information, please visit www.thedreammasters.com

Artist Statement:

The primary desire is to do more of what I love.

Flowing forces of nature animate this desire.

Passion comes full circle when you are inspired by what you see.

The creation begins when my mind is quiet with an all-consuming vision.

The greatest joy is to be within that vision as it is manifested in acrylic paint on a large canvas.

I am invited to explore a landscape of absolute freedom and endless possibilities.

Emotion is expressed through vibrant color, powerful motion, and organic form.

Elements of nature inspire these ideas, elements of magic blend the real with the fanciful.

Bio:

Jay Marsh, Illustrator and Photographer, discovered his calling in kindergarten and made it a career. A graduate of Ringling School of Art, visual expression of one form or another has been his singular profession for 15 years.

Some of his most memorable projects: fantasy paintings for a Clive Barker card game; body painting for Bacardi to launch “Grand Melon,” their newest flavor; candy portraits for Fernbank Museums’ recent “Chocolate: The Exhibition”; a 16 x 4 ft. ultraviolet/daylight mural for Royal Caribbeans’ new "Serenade of the Seas" cruise ship; illustrations and new character development for Mellow Mushroom packaging and advertising; photo retouch – by hand – for Coca Cola’s NFL Stars “Monsters of the Gridiron”; bodysuit design and painting for WCW Wrestling (with AFX Studio). Jay has helped HomeBanc Mortgage document many activities, including their Habitat for Humanity charity work; and has done advertising photography for NAPA Auto Parts.

He finds time to donate his talent and creativity to organizations and events such as The American Diabetes Association “Tour De Cure”; the “Through the Looking Glass Gala” benefiting the Eating Disorders Information Network (EDIN); an 8 ft. UV Mandala mural (with his brother Alan) for Camp Stars and Hospice Atlanta. He completed a "Visionary Art" Workshop with Alex Grey at the Omega Institute.

Jay continues to give his imagination play and encourages others to flights of fancy, often connecting his other interests with artistic expression. He juggles and rides unicycles, among other things, and once painted pictures for children riding a unicycle – using the wheel as his brush.

 

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